The following is a complete listing of our Antique and Semi-antique rugs and carpets in current stock. They are arranged in order of size, starting with the smallest.
Each and every piece has been personally and carefully selected, based on 45 years of experience buying Antique rugs. I only buy exceptional pieces in perfect or near perfect condition, preferably untouched by restoration, alterations, heavy wear, artificial "antique wash" treatments or any other interference that would negatively effect value.
The quality must be top end, as must be artistic merit, visual appeal and relative rarity within its group.
Click on images to enlarge. More images of each lot available upon request.This section updated 20/10/2017
A very pretty little rug with good, natural colours, excellent wool and free of repairs. The side cords have been oversewn in places. A nice thing for a wall, or anywhere, at a price of a small water colour painting.
A typical example of the small but highly decorative "poushti" (cushion) size rugs woven in Ravar at this time. Rugs like this would rarely have been walked on if owned by Persians, rather they could serve as seating mats while entertaining guests, or beautiful wall decorations. Areas of slight wear but generally in fairly good condition.
A beautifully woven example of the now very rare pictorial pieces woven in the late 19th C. Usually such pieces depict previous Persian rulers or other persons of historical importance; more unusually you see religious scenes such as this Madonna & Child image. The signature panel at the top reads "Maryam and Isa", Mary and Jesus. In perfect condition throughout with full pile, no repairs, original sides and ends.
This beautiful little rug, sourced from a private collection in Scandinavia, is both finely knotted at over 250/sq inch, in full thick pile, yet supple to the handle. Natural colours, original all around, free of repairs, a little gem suitable both for floor use as well as wall decoration.
A finely knotted, pretty little rug, technically slightly too small to serve as a practical prayer rug but more intended as a decorative work of art. The pale sky blue colours are typical of Teheran rugs, as is the fine weave pale blue cotton wefts. The rug has lost 3 knot rows at the lower end and there are two minute spot repairs along the side cords, otherwise it is in very good condition throughout. A very nice thing to have on the wall at a modest price.
A very pretty Baluch rug with glowing, warm colours and lanolin rich wool, drawn in the traditional style of the Baluchi from the Torbat-e-Haidari. The pile is slightly low in places showing minor spot wear, there are a couple of minor repairs to the elaborate end kilims and side cords but generally it's in good shape throughout. Would make a lovely wall hanging!
A beautiful rug with the presence of real age, showing slight but even all-over wear, with a beautifully detailed "Herati" design on ivory ground. Finely knotted at around 255/sq inch. There are a couple of minute, repaired breaks along the side cords. The ends have each lost a couple of knot rows but generally the rug is in good order for its age. An elegant rug with a beautiful design and excellent colours.
A very pretty little Heriz rug with lovely natural colours including some beautiful blues and greens. Small Heriz rugs are hard to find, the vast majority woven in the region around a century age were large carpets or runners. In good condition apart from fractional loss of 1-2 knot rows at the lower short end, very slight, even surface wear that only reflects its true age.
A strong, decorative Baluch in good condition throughout. For further info on this piece, click on Recent Acquisitions, and scroll down.
One of leading experts on Baluch rugs, Michael Craycraft of Adraskand Gallery in San Fransisco, held an important exhibition exclusively featuring vintage Baluch prayer rugs. Plate 31 features an almost identical rug with the same rare kilim brocading which he attributes to the Sarakhs group. Our example is in virtually perfect, original condition, with full pile, intact kilims and side cords. Although it is in perfect pile with many generations of wear left in it, this rare and beautiful rug might deserve a proud place on a wall, being such a superb example of Baluch tribal rug art.
This is a great, original and "funky" rug, a perfect example to use when illustrating the spontaneity of early village work from this remote region. Everywhere you look there is evidence of a free-spirited weaver who clearly had a great feel for proportions and colour harmony, yet displays a fantastic playful creativity in her work. In terms of design there are comparable examples from the Gendje region in NW Azerbaijan, yet in weave and choice of colours it belongs much further east, probably Daghestan. The light colour palette helps in creating a most attractive piece that must be placed on the wall as a great and rare example of Caucasian folk art. In excellent condition with only one small reweave along the lower short end, it has original side cords and only natural dyes. Ref: U Schurmann, Caucasian Rugs, Pl 125, and N Fokker, Caucasian Rugs, Pl 67.
A well woven rug with excellent wool and tight knotting, featuring one of the favoured designs in early 20th C Abadeh work. For further info on this piece, click Recent Acquisitions, and scroll down.
A charming, beautiful and cheerful rug of intriguing origin. For further info on it, click Recent Acquisitions and scroll down.
A typical example of good Baluch weaving from the late 19th C, in excellent condition with beautiful natural colours. For further info on this piece, click Recent Acquisitions and scroll down.
A lovely, charming rug in superb condition with great natural colours and quirky design. For further info on this piece, click Recent Acquisitions and scroll down.
Ensi was a dowry rug woven with the specific purpose of covering the open tent door in a Yomut yurt (tent) during the wedding festivities. Usually finely woven, these beautiful rugs were never in use on the ground for as long as they remained as family dowry heirlooms, perhaps only displayed on the wedding anniversary. This beautiful, early example with its bold "eagle" border end panels is in excellent condition throughout, full pile showing no wear, original ends and much of the side-cords (one side has been partly rebound but as original). One of the best Yomut Ensis I have come across in a while, ex Swedish private collection.
This is quite an exceptional small Meshed rug, falling in size between the two traditional formats zaronim and dozar. The weave is super fine for a wool rug, at approx 400 knots pr square inch, placing it way above the norm for Meshed rugs of this period. It may well be a smaller "model" woven by Saber, famous for their exceptionally fine larger carpets of this appearance and quality. In perfect condition throughout.
A charming rug of a well documented group with good, natural colours, lanolin rich wool and solid workmanship. In very good condition with near full pile throughout, original side cords and end finishes. Some minor securements to the kilim ends and overbinding in spots on side cords have been undertaken since photography.
Ref: T. Runge, One Woman One Weft, Pl. 21
A rare rug of its type, in absolutely original, untouched condition. For further info on this piece, click Recent Acquisitions and scroll down.
A beautiful, delicately drawn and softly coloured rug from one of the better known master designers of Tabriz at the time. The contrast of open space and dense corner and border decoration takes considerable understanding of what makes a rug attractive and pleasing to the eye. The pale blue cloud bands on the ivory field are a delicious feature.
Finely knotted at over 250/sq inch, the rug is in excellent condition apart from the rebound selvedges and a few spots of slight wear. The size is also unusual in the general Persian repertoire.
A very beautiful example of this famous group of Tabriz rugs, sought after world wide both as decorative and collectible pieces. The warm, light palette of light colours contrast beautifully with the skilful outlining in black and midnight blue. The complex design is equally superbly drawn, with a multiple set of borders that still works so well with the relatively open field. The knot count is super fine, in excess of 320/sq inch.
In excellent condition throughout with original side cords, full pile, no loss except the actual kilim strands at each short end, only one minute repair near one corner.
The Demirci Kulas are classified as among the most traditional of rugs woven in Asia Minor, their production reaching back to the 15th C. Sometimes called Komurcu Kula, meaning charcoal burner, this refers to the typical charcoal brown ground shared by most examples. This piece is in remarkable condition with full pile and original kilim ends and side cords present. There is a very small repair to the lower right corner comprising a stretch of 3 inches of end kilim, a reweave of the actual corner involving a half dozen knots including less than an inch of side cord.
Ref: Adil Besim, Turkische Teppiche, Pl. 24, and Antique Anatolische Teppiche, Austrian Collections, Society of Vienna, Pl. 21.
A beautiful, characterful rug with mixed Kurdish and Baluch influence, in good condition throughout with elaborate, intact kilim ends. For further info on this piece, click Recent Acquisitions, and scroll down.
A beautiful 19th C Baluch rug of great character, originality and presence. The narrow outlining in brown has corroded slightly, creating a relief effect in the design that you often see in really old examples. The general pile is still very good, meaning the rug can well be used on the floor. The end kilims are beautifully woven, the lower one showing some minor damage which has since been restored. Original side cords and no other repairs. For a vaguely related example, see J. Boucher - Baluch rugs, pl. 11.
A very finely knotted example of the "Bokhara" design, woven by settled tribal weavers, employing their traditional range of early Turkoman symbols. Woven at a density of 240/sq inch this rug is finer than most earlier Tekke weavings and it also has a sophisticated elegance and finish. There are many quirky "mishaps" in the designs, showing that these rugs were still woven without precisely drawn designs, leaving room for the weaver to improvise. In perfect condition throughout.