The following is a complete listing of our Antique and Semi-antique rugs and carpets in current stock. They are arranged in order of size, starting with the smallest.
Each and every piece has been personally and carefully selected, based on 45 years of experience buying Antique rugs. I only buy exceptional pieces in perfect or near perfect condition, preferably untouched by restoration, alterations, heavy wear, artificial "antique wash" treatments or any other interference that would negatively effect value.
The quality must be top end, as must be artistic merit, visual appeal and, ideally, a degree of relative rarity within its group.
Click on images to enlarge. More images of each lot available upon request. A number of very beautiful antique pieces, as well as potentially a collection of old DOBAGs, will be posted gradually in the coming weeks.
This section updated 24/11/2023
This beautiful little piece depicts a midnight scene, with the deep blue ground and a nightingale perched at the top of the tree-of-life. Finely woven in thick, lustrous wool on a cotton warp it was the work of a settled tribal Avshari woman with a great eye for the use of colour and design.
Note also the single female human figure and two small birds, suggesting it may have been intended as a gift. The all natural dyes are superb, as is the lanolin-rich wool, condition perfect throughout with no repairs. The side cords have been overcast at some point in its later life. A rare little jewel of a late 19th C rug that can take a lot of floor wear but, being a true work of art, would achieve maximum impact on the wall.
An attractive, small Tekke "Bokhara" rug with well spaced design, good dyes and in good condition, no repairs other than oversewn side cords. For further info on this piece click Recent Acquisitions and scroll down.
A finely woven rug with a design and colouring often found in the Saveh region of Hamadan. The Maine rug dealer Tad Runge in his work One Woman One Weft illustrates several pieces of similar appearance and technical specifications - plates 31-35.
Good natural colours, in full pile throughout, original sides and ends present, only a couple of minute spot repairs, this rug has been well looked after by previous caretakers including wall display for the last 11 years. A decorative, attractive and inexpensive village rug from a region where nothing of note or quality has been woven for many decades.
Rug weaving in Abadeh is merely over a century old, inspired by the weavings traded in the bazaars by the various tribal groups passing through. Old examples were well made with good, natural colours and properly spun wool. The design seen here is known as "Zil-i-Soltan", a complex all over composition featuring vases filled with exotic flowers. In excellent condition throughout.
The finely knotted, high quality rugs from Jozan are renowned for their glossy wool and excellent colours. Similar to rugs from nearby Sarouk they mainly come in medallion designs, woven with double wefts but using the symmetric knot.
Jozans are hard wearing, long lasting rugs that will survive for generations if cared for properly. This charming piece of a slightly unusual size was acquired from a Swedish collection, kept in near perfect condition by its previous custodian. Note the lovely use of sky blue rosettes against the dark field colours. The late Stockholm dealer Peter Willborg illustrates a very similar example on pl 29 in his book Hamadan.
An early, rare and very beautiful Caucasian village rug from a part of the Caucasus known for some of the finest rugs woven in the region. You're looking at a piece of rare and genuine Caucasian folk art, unlike any other made, showing the weavers obvious freestyle work that gives the rug such charm. The "kufic" border is one of the most attractive in the rug world, used in several districts such as Shirwan, Leshgi and Kuba.
In excellent condition throughout, original and complete sides and ends including the kilim finishes, in full (finely cropped) pile and no repairs. Very finely woven for a Caucasian rug with a knot count of 208/sq inch. Future caretakers might consider displaying the rug on a wall where I believe it can be best enjoyed, as well as kept safe from wear and tear.
Two closely related examples published in Latif Kerimov, Russian Collections, Pl 5, and U. Schurmann, Caucasian Rugs, Pl. 104.
A beautiful Shirwan village rug of unusual design and lovely, warm natural colours. This region had a wide spread home weaving tradition prior to the Russian revolution, producing decorative, charming and finely woven examples. After the revolution private enterprise was banned and with that the whole tradition disappeared in favour of sterile, mass produced replicas employing synthetic colours and utterly sterile, predictable and designs of no collector's value. It was clearly displayed on a wall by previous caretakers, the hanging rings still present.
A very closely related example was published in Latif Kerimov's work Russian Collections, pl. 53, attributed to the village of Bijo, Aksu district, Azerbaijan. The similarities are striking, from the size, choice of dyes, use of borders and main field design. In very good, complete condition, side cords sympathetically overcast, woven short ends intact, no repairs and generally in good pile throughout. A perfect piece for wall display but also good enough for use on the floor.
This gorgeous rug is a superb example of tribal Avshari rug art at its best. The playful design, the stunning colours (most notably the sky blue), the skillful balance of empty space and tight detail, all points to a very experienced weaver.
Being finely knotted at around 132/sq inch the pile was cut thin to enhance the design - it's still in very good condition with only marginal surface wear in the centre. The original kilims are intact, as are the side cords, and there are no repairs.
The rug is in good enough condition to be used on the floor but for a 150+ year old tribal work of art of this caliber I would recommend wall display to preserve it for future generations.
Ref: James Opie, Tribal Rugs, Pl. 12.13.
A highly decorative Baluch piece with an unusual design, showing strong Turkoman influence in its use of Gul motifs down the centre. The border is also unusual, featuring a large variety of enclosed motifs without the usual vine or meander form. It also features small details in magenta silk pile so clearly the rug was made for a special occasion, most probably for dowry or wedding gift.
Purchased from a Swedish collection, the rug is in excellent condition, showing only small spots of slight surface wear, the original sides and kilim ends intact.
A very stylish, elegant and well drawn Baluch rug of a design and colouring characteristic of Baluch weavings from NE Khorassan. The weaver was clearly very experienced, the weave tight and even with a knot count of 156 pr sq inch. The finely spun lanolin rich wool pile (full throughout) make the warm natural colours glow with a rich sheen.
In excellent condition throughout, free of wear or repairs, its original sides and ends intact apart from the loss of a few kilim strands.
A very good example of the early 20th C Kurdish weavings, featuring a powerful center medallion on a field with corner spandrels, all inside a charming, spontaneously drawn border. No photograph could justify the exceptional wool quality which shines like silk, lifting the glowing, all natural colours to a high level.
In excellent condition throughout, full pile throughout, no wear, repair or alterations, just the securement of both short ends. A very nice rug set to last for generations to come, even in an area of heavy traffic.
A charming and characterful rug with a colouring and design placing it in the renowned Senneh (Sanandaj) town area, this being from a small village nearby. Clearly woven without cartoons the rug is skillfully created with a powerful border framing the more familiar Senneh style.
Another charming detail is the use of inlaid silk in some of the small botehs in the guard borders, probably dyed with fuchsine or possibly an early synthetic dye. The weaver clearly wanted to make something special, perhaps for dowry or a wedding. In excellent, original condition with full pile throughout, set to last for generations on the floor.
A beautiful and rare example of the well known "boteh" or bird rugs woven by the Khamseh in the 19th C. Probably inspired by shawls from nearby Kerman, the rug is very finely knotted, the pile cut thin sharpening the design, the handle very supple. In good, complete condition with part of the original kilim ends still intact and secured. There are a number of small spot repairs but ideally it should be placed on the wall where it really catches your attention. For further info on this piece, click on Recent Acquisitions, and scroll down.
The Bakthiari tribes were originally nomadic, searching for grazing throughout the Zagros, then gradually settling into village life. The late rug dealer and good friend Peter Willborg published a comprehensive study on the Bakthiari that has helped us identify rug weaving areas and local traditions.
This rather unusual example features a prayer "mihrab" dominated by a Tree-of-Life, filled with flowers and featuring two large birds and cypress trees at the base, symbolising life and death.
Woven on a cotton foundation this example is a charming village weaving with excellent qualilty hand spun wool all dyed with natural dyes. Although drawn symmetrically, a closer look reveals plenty of quirky details, clearly showing she was working from memory and not a sterile, predictable cartoon.
A lovely, hard wearing and rare rug, in full pile of glossy wool, set to last for generations. Ref: P. Willborg, Chahar Mahal Va Bakthiari, Pl. 301.
A very finely woven Bakthiari rug with a highly elegant, symmetrically arranged design, to some degree inspired by the superb and complex rugs woven in nearby Isfahan. The clear, all natural colours are typical of Bakthiar work as are most of the motifs and ornaments, yet with a knot count of almost 300/sq inch the rug it rivals the best of Persian town weavings.
In excellent condition throughout, only missing the original short end kilim at the top end, free of repairs, it's a beautiful, hard wearing and highly accomplished example of its type.
A beautiful and unusual example of the high quality rugs from Tafresh, featuring exceptional, almost silky, wool and tight weave. Most Tafresh pieces are either a 16 foil center medallion of an all-over bird and flower design - this is the first one of its kind I have come across. In full pile and virtually perfect throughout, all original.
This very attractive rug is typical of the work by the Shishboluki - the centre four armed "crab" motif with its matching halved corners is often encountered, as does the linked, flowering plants in the main border. Later examples normally appear much busier in style, the earlier examples being far more attractive in their relaxed, open style of design.
Like all tribal rugs this piece was woven entirely from the weaver's memory and hence it's full of quirky, charming improvisations. The dyes are all natural, meaning the rug can be safely washed and be exposed to light without further fading.
In good condition throughout showing only slight, even wear, original side cords and no loss at short ends other than the original kilim strands. Free of repairs and ready to go on the floor, or on a wall where its visual reward is maximised.
An rare, early and truly beautiful rug woven by nomadic tribal weavers of the Kashkuli subtribe within the Quashq'ai group. The ivory field with its charming diagonal lines of "boteh" motifs creates a calming, rhythmic design, clearly woven freestyle by weavers memorizing ancient tribal symbols and motifs. Wonderful natural dyes, superb glossy wool, in great original condition throughout.
For further info on this piece, click on Recent Acquisitions, and scroll down.
A good example of the characteristic three medallion design village rugs from Karadja. This one has lovely (all natural) colours, most notably the gold border and bluish green in the two supporting medallions.
Excellent wool, original ends now secured, side cords just marginally overcast, in near full pile throughout and free of repairs. A robust, solid furnishing rug that would look great in most settings, traditional or contemporary.
Jozan is one of several rug weaving villages located in a fertile valley south-east of Malayer, an area known for its high quality rugs as well as the best raisin production in Iran. Jozans were tightly woven, double-wefted rugs using high quality lanolin rich wool and excellent natural dyes. They usually featured an elegant center medallion design inside a grapevine border, as seen in this example.
In excellent condition throughout with full pile and no repairs, set to last for another couple of generations even with daily wear. For more info on this piece click on Recent Acquisitions and scroll down.
Rugs of this appearance were woven in a number of small towns and villages in the Mahallat region, mainly in the town of Arak.
Woven on cotton foundation with fine quality wool dyed entirely with natural dyes including a lovely soft green and ivory spandrels that lift the composition. Note the beautiful and unusual main border. In very good condition throughout it has only very slight, even surface wear, original side cords and one lower end intact, loss of 2-3 knot rows at the opposite end. A good, decorative antique rug at a reasonable price
A very beautiful, and rare, antique Caucasian rug with a design and choice of colours that illustrate why collectors worldwide are in constant pursuit. Clearly woven freestyle without cartoon the main design of "endless repeat" medallions creates space for a plethora of quirky motif and symbols. Note particularly the four animals (dogs, goats?) and the double arrow motifs, and not least the stunning ivory border that really lifts the composition.
The rug has clearly been cherished by previous caretakers - old hanging rings are applied at all four sides, hence its excellent condition throughout. In full pile only showing the normal dye corrosion in black details, side cords and end kilims are original and complete. The all natural dyes are superb, identical to those used by the DOBAG project a century later. A rare and wonderful rug with in near perfect condition. For reference see Raymond Benardout's exhibition book Caucasian Rugs 1978, page 58.
This striking rug was woven in the village generally credited with the best Bakthiari rugs, tightly woven on cotton warp and pile of excellent, glossy sheep's wool. This design, known locally as "Sarv-o-cadj" (cypress and spruce) was a favourite among the village women, most of whom were active weavers. The complex design has a superb rhythm with beautiful colour combinations, all dyes of the best natural dyes available.
In very good condition throughout with only minor securements at one end, in full pile with original sides intact. For further on this piece click on Recent Acquisitions and scroll down.
Originally sold in our showrooms in 1999, this stunning rug was always a favourite, both from a quality and decorative viewpoint. The gracefully drawn design has many curious features such as the "vac-vac" (talking tree) motif hanging from the top of the arch, and the families of cockerel, hen and chicks at the base. The soft, pale blue colour is very rare and highly sought after, contrasting beautifully with the deeper border colours - a masterpiece of Persian rug design and understanding of harmonising colours.
Having spent much of its time on the wall the rug is in excellent condition for its considerable age, complete with original ends and sides, free of repairs apart from some minute spots of side cord binding.
A well drawn, beautifully composed Mihrab design with an attractive and unusual (for Kashan) range of soft natural colours. The flowering vase and delicately drawn sprays and tendrils are classic Kashan work. A very good rug in full pile and free of repairs apart from two minute repairs to upper left and lower right corners.